I am fascinated with the idea that we are the children of a benevolent creator. The influences that most powerfully shape who we are seem to be located in the household and family. I want my pottery to be there and to promote and influence that growth, however small it's part may be. The family dinner table is sacred space and the venue of first choice for my pottery.

I prefer domestic pottery that is plain, quiet and understated. I try to make pots that will play in the background, that speak gently but carry a great deal of information to those willing to wait and listen. I love the kinds of surfaces derived from wood firing and salt glazing processes. In the case of the wood fired kiln I also enjoy the deeper involvement with process that the stoking of the kiln affords me. I love to sit with a kiln late at night and listen to the wood popping and the quiet sounds of the draft.

Because of my decision to make quiet pottery I have had to leave the more public sales venues of street fairs, shops and galleries and sell my pottery at home where it is made. Somehow that environment shows my work to best advantage. I live and work in small Mormon farming village in the mountains of central Utah. Over the past ten years I have shifted my marketing to bring people to my door rather than sending the work out. This seems to work best and it feels right to me.

website: http://www.horseshoemountainpottery.com/